Friday, July 12, 2013

july/august: brb, guys. + shows you should see.


hey dudes. so if you don't already know i'm getting married in august and july has simply exploded for me so i just won't have time to do four in four in july or august. starting in september i'll be back in the game and i'm super excited about it. i will of course be seeing shows in july and august as i do, but probably not eight of them. see below for my suggestions on what you should see if you have the time over the next two months. see you in september. xo

remember most shows can be found on hottix.org or goldstar.com if you're feeling thrifty.

enjoy yourself + enjoy your theatre.


Tuesday, July 9, 2013

june #4: slaughter city

friday night i had the pleasure of seeing prop theatre's SLAUGHTER CITY.

what: slaughter city by naomi wallace
where: prop thtr's space in avondale
accompainiment: dustin
drinkability: cheap bar at the space! hip hip horray!
show length: 2 hours with intermission
out of four: three/four

oppressive work place dramas are all the rage in the shows i've been choosing to see lately! between oracle's THE MOTHER & WAITING FOR LEFTY, SLAUGHTER CITY fits right in, this time in the slaughter houses.

the story follows a handful of workers in a slaughter house, attempting to work through their dirty, hot, messy and offensive conditions while constantly flirting with the idea of striking. of course the repercussions of striking mean no pay, no guaranteed jobs, and scabs to come in and take over their work without the promise of returning when its all said and done. most of the workers can't afford to take that risk, so they continue on and endure physical, mental and even sexual abuse from their coworkers and management in the slaughterhouse.

this was my first experience at prop theatre and i really enjoyed their space. they have 2 stages and i'm curious to see the other, as this was very obviously the main stage. the set is divided into two levels- the main stage floor being the slaughterhouse. chicken wire renditions of slabs of meat hang from the ceilings and the use of them as well as other fabricated hunks of meat was such an impressive creative task. the workers were in constant movement and constant conversation and both flowed effortlessly. 

there really wasn't a bad actor in the bunch but the guys stood out for me in this one. mitch salm as brandon, a troubled sex-driven worker who pines strongly after kyra morris as roach was so smooth and had so much fun with his words that even while he was a grimy character his game of flirtation was fun to watch and listen. linsey falls shows up unexpectedly as the sausage man, working somewhat undercover with cod, played expertly by danielle sharon goepfert. his accent, character, and brooding attitude were a breath of strange and sweet air to this play as he left you constantly wondering "what is UP with that guy?"

my biggest complaint about this interpretation of SLAUGHTER CITY was the utter confusion that the director seemed to have about what time period they wished to set this play in. while we're along for the ride absolutely believing this show in front of us is in the 20's or 30's, suddenly characters have mountain dews in their hands and listen to an iPod with modern music while getting friendly with a pig carcass, amongst an old fashioned sausage maker and tales of factory fires where exit doors were locked and no safety protocols existed. why these choices? as an audience member i was all but immediately taken out for those brief moments.

other than that qualm i enjoyed the production and especially enjoyed getting to read a bit of history in the lobby before and after the show that connected me with what was happening in front of me. the show closes this weekend, so hurry up and see it!
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show's i'm looking at for july:
organic theatre company's caligula
black ribbon theatre's cowboy mouth
the inconvenience's fly honey show
TBA
+ bonus jackalope theatre's the casuals

join me, will you?

Monday, June 24, 2013

june #3: second city training performances//waiting for lefty


friday night i had the pleasure of seeing jay sukow's c-level improv class perform at the second city.

what: a training class performance!
where: the second city location in old town, demaat theatre,
accompaniment: dustin!
drinkability: no booze for sale in this SC theatre (but others do!)
show length: 30 minutes
out of four: three/four

my college/work pal aj recently moved to chicago and almost immediately jumped into the improv scene at the second city. its been super exciting for me to see him become an actor...as it was a funny little idea in the back of his mind for so long, then he finally went out for community theatre and was cast. and cast again. and directed, won a local award, and decided to pack up his things and move to chicago and really give it a go. now he's three classes deep at second city and i finally got a chance to see him perform.

the set up is this: at the end of your level c class and above you get to finish your training by performing for others- which is the end goal, really, right? this particular night they lined up all the level c classes (i think i counted 10+?) and give them 30 minute time slots in which to showcase their talents they've learned over the last handful of weeks. this class had 12 people in it and it was determined before the show which improv "games" they'd play, with suggestions from the live audience to move their scenes along. after each group got to play their game they concluded the evening with one group game.

one of the best parts about this quick thirty minutes of fun? the show is only $2! its $1 (or free?) if you're a current SC student. aj luckily nabbed us the last couple of tickets before his particular class sold out...something that seems to have never happened previously (kudos, dudes!).

the thing i really loved about this performance is seeing people genuinely excited to perform. when's the last time you saw a group of people that you can just tell are all so nervous, jittery, yet excited at the same time? the best part is getting to greet the students at the end of the show and see how excited they are to perform the skills they've learned.

i'm not sure how often these performances happen, but if you have pals in the program ask when they're performing! its a quick show, $2, and a bunch of laughs.

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bonus show: saturday night i had the pleasure of seeing oracle theatre's WAITING FOR LEFTY.


i don't want to break my rule of not reviewing the same company's show in the same year (or six months if i absolutely have to) as i already shared my thoughts on their production of THE MOTHER earlier this year, but i just want to applaud oracle and its members for once again putting together thought-provoking creative theatre that had me on the edge of my seat for a quick 55 minutes. byob. free theatre. great talent. go see it.
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upcoming june shows:
friday june  24th, 8pm: prop thtr's slaughter city

join me, will you?


Tuesday, June 18, 2013

june #2: aloha say the pretty girls


friday night i had the pleasure of seeing the brown paper box company's ALOHA SAY THE PRETTY GIRLS.

what: aloha say the pretty girls by naomi iizuka
where: the boho theatre space in rogers park
accompaniment: ally, emily, & jenna!
drinkability: they gave out free beers with the show! horray!
show length: 2 hours with a 10 minute intermission
out of four: two and a half/four

ALOHA SAY...is the perfect example of why i wanted to start this blog. it was my first exposure to that play/playwright, first exposure to a show by brown paper box co., first exposure to the boho theatre space, AND i got to see a friend perform! and i happened to attend with 3 awesome lady friends...so really, it was just an ideal situation.

brown paper's mission statement states that they "..create thought-provoking and accessible theatrical experiences without the glitz of overproduction." they certainly followed through with this aesthetic with minimal props, essentially no set, and all transitions done by a dim of the lights and sound effects curated by the tongues of the actors. 

this show displays an ensemble of eight actors, two of which are brown paper company members and three of which play multiple characters. the first act takes place in nyc with the second in hawaii, as all these "twentysomethings"are on their journeys in life to generally figure it out. the show covers a wide range of twentysomething experiences- breakups, falling in love, moving, pregnancy, getting mugged in the subway (what, not all 20 something experience that?), mindless sex, drunken beach debauchery, and even a little bit of finding out what you as a human are all about.

natural standouts in this show for me were christopher hart (playing both will & derek) and angela mae davis (playing vivian). both had fantastic vocal quality that drew me in and left me excited to hear what they'd say next- as well as an incredible grasp on reality world acting. they were both charming and broke my heart at the same time.

comedy-wise stephanie rohr (wendy) and luke michael grimes (myrna & richard) kept me laughing and entertained on the lighter side of things. wendy is a character who goes after what she wants and isn't afraid to go for it. and as far as myrna: i mean, a fabulous guy playing a woman is always a hit- isn't it?

i was definitely charmed by ALOHA... and enjoyed watching the character's journeys. there were definite weak spots in the show that left my mind drift. i think if the show focused on act 1 and cut most of act II it would be much stronger (in my opinion: as i preferred the realism in act 1 to a lot of the sudden fantasy in act 2). but i did enjoy my time in the tiny boho theatre space and look forward to seeing more from brown paper!
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upcoming june shows: 
friday june 21st, 8:30pm: second city: jay sukow's training class
*bonus! saturday june 22nd, 8pm: oracle theatre's waiting for lefty
friday june 29th, 8pm: prop thtr's slaughter city

join me, will you?



Monday, June 10, 2013

june #1: the misanthrope


friday night i had the pleasure of seeing court theatre's THE MISANTHROPE.

what: the misanthrope by moliere
where: the court theatre at the university of chicago
accompaniment: dustin!
drinkability: bad! no byo and no drinks for purchase sans soda & water.
show length: two hours with a 15 minute intermission
out of four: three and a half/four

this was my first experience with both the court theatre as well as the misanthrope, so i went into the evening not really sure what exactly was ahead of me. a college classmate of mine, desmond, appears in the misanthrope as one of only two non-equity actors so i was very excited to see him in action as well as finally catch a show at the court. he was kind enough to get us tickets (as court theatre has pricier tickets than most, ranging from $15-$65. pro tip: always check hottix!) so thanks, des!

i knew walking in to the court that this was going to be highly produced and incredibly well acted and i am so happy to say that it lived up to all my expectations and beyond. at one point i mentioned to dustin that as much as i love "diy" theatre and storefront theatre in chicago, its easy to forget WHAT and HOW MUCH can happen when a bunch of money is behind a production.

the misanthrope was one set, on display as you walk into the theatre. beautiful wood work on the floor (you can catch a glimpse in the photo above), gorgeous gold curtains drape from the ceiling, a fainting chair covered in black fabric sits center stage, and the playing area is almost playground-like with center stage dipping down a step, giving the actors a chance to jump or step from the center to the outside platforms as well as making picturesque levels massively convenient for the director. the fabric on the fainting couch is later removed and the gold curtains drop and its an entirely new bedroom. and its done flawlessly.

other tech highlights include the awesome music score. andre pluess & josh horvath work together in sound design to create classical pieces with hip hop beat backgrounds. it makes for awesome transitions as the attitudes, costumes and general disposition of the actors is quite modern while the language is classical. the star of the technical aspects, though was costumes. my goodness. jacqueline firkins: i hope you win all the awards there are out there for this production. a black and gold motif dresses all the characters flawlessly. the designs are beautiful and left me with incredible costume envy. seriously, go see this show for the costumes alone!

but of course you can't have a breathtaking show without some talent to back it up. erik hellman who plays alceste steals the show for me. from his first few lines i was drawn in at his absolute natural and effortless management of the text. he's also all over the place and the stage, but with distinct and calculated movements. rather: he moves around a lot without flailing incessantly. he makes the perfect rich boy pouty lover and i ate up every moment of his performance.

celimene played by the beautiful grace gealey was number two for me. girl is talented and her musical theatre background stood out in her choices. she also had such a fierce handle on the language as well as the ability to flawlessly rant without tripping up on one phrase. bravo, bravo.

the misanthrope at the court is just absolutely a gem. not too long or overwhelming- just as i was starting to lose focus and gaze out at various places on the stage for far too long the show concluded. it was also kind of a twisted joy to see such a downer ending. you don't get many of those these days, do you?

this show closes this weekend. missed it? won't have a chance to get there in time? no worries, they open TARTUFFE in 2 weeks with the same ensemble of actors. fingers crossed i can catch these players in action again.
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upcoming june shows:
friday june 14th, 7:30pm: the brown paper box company's aloha, say the pretty girls
friday june 21st, 8:30pm: second city training class performance
saturday june 29th, 8pm: prop thtr's slaughter city

join me, will you?

Tuesday, May 28, 2013

may #4: improvised shakespeare co.


friday night i had the pleasure of seeing (for the third!! time) the improvised shakespeare company.

what: the improvised shakespeare company team
where: iO
accompaniment: dustin, emily, & aj!
drinkability: bar at the space!
show length: a little over an hour with an intermission
out of four: four/four

its funny how opportunities to see shows fall into your lap sometimes. i had been planning for the last couple of weeks to see the hypocrites' ivywild this weekend, until a facebook caption contest appeared for the ISC and i entered and (to my surprise) won tickets to the 10:30pm show on friday. just like that, plans changed. (fingers crossed i still get to catch ivywild before it closes!)

yes, this is my third opportunity to see the improvised shakespeare company. once when my mom was in town i convinced (see: dragged her) to see it (much to her surprise she loved it) and then later we took two friends to see it as well. this third time i think was the most polished of them all, and quite possibly my favorite of all three performances.

here's the deal: a group of 5+ actors (the company is comprised of fourteen actors who rotate performances) come out on stage dressed in simple black pants and tunic-like shirts. they ask for suggestions from the audience to base their improv for the evening around. friday night's suggestion they took from the audience was "sexy handshake", and off they went.

friday the performers were: blaine swen, matt young, ross bryant, brendan dowling and two other actors whose names/headshots were inconveniently not listed on the iO or improv shakes website. :) shortly after the topic is announced one actor steps forward to recite a rhyming prologue...you know, just off the cuff. then the play begins, complete with an act break, obvious scene changes and an epilogue. again...just completely on the spot (as improv goes.)

these guys are truly professionals. we all know from the little bit of improv rules that are discussed in tiny fey's bossypants or more recently from tobias funke ("yes, and, yes, and, yes, and") that the number one rule of improv is to agree to what your partner gives you and continue to move the show forward. these guys did this flawlessly! not only are they moving a story forward with different plot lines running simultaneously but they are doing all with an emphasis in shakespearian verbiage and tone.

there's simply no need for me to say anything more about the performances i've seen than this: these guys sell out their houses twice a night every friday for a reason. they're incredibly talented, incredibly funny and all work well together. as far as i could tell everyone got ample stage time and they all supported and included each other throughout the show. that in itself is impressive.

the only thing i'd like to see in future ISC shows is the addition of some females! as far as i can tell from the shows i have seen as well as the cast listing on their website - this group involves no females whatsoever! while one might argue that in shakespeare's time there were no females allowed on stage... this is the modern age, dude! i'd love to see some lady talent up there.

go see them. every friday night, 8pm & 10:30 at iO. buy tickets in advance!
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shows i'm considering for june:
-the hypocrites' ivywild
-the brown paper box company's aloha, say the pretty girls
-prop thtr's slaughter city
-TBD

join me, will you?http://www.improvisedshakespeare.com/

Monday, May 20, 2013

may #3: big love

friday evening i had the pleasure of seeing strawdog theatre company's BIG LOVE.

what: big love by charles l. mee
where: strawdog's space, 3829 n broadway.
accompainiment: dustin!
drinkability: beer & wine for purchase at the space. wine for me, champagne of beers for him.
show length: 100 minutes, no intermission.
out of four: three and a half/four

i've been excitedly curious about this show since i got strawdog's season announcement postcard in my mailbox many many months ago and saw my talented pal michaela petro laughing wildly in a wedding dress and wielding a chainsaw. i knew nothing about this show, but i knew i couldn't miss it. so, i nabbed a couple of tickets on hottix (love me some hottix) and headed to the theatre.

big love is the story of fifty brides on the lam from greece from their fifty grooms...who also happen to be their cousins. (you can now imagine why these fifty brides have fled on their wedding day.) the 'fifty' are represented by twelve women (and conversely 12 men are their grooms) with three women mainly highlighted from their group: olympia (played by sarah goeden), thyona (played by michaela petro) & lydia (played by stacy stoltz). they stumble into the home of piero in italy who reluctantly takes them in for dinner & a promise for a short stay. soon after the grooms find their brides and come in in tuxes, demanding to be wed. thus the struggle of the show. should these brides give in and marry their grooms? should they wait for true love? should they marry at all?

the biggest thing i loved about big love was all the commentary on men vs women, marriage, love, and equality. i'm about two and a half months away from being married myself to a man whom i chose (big love's marriages are arranged sometimes even before a child is born) so it was extra interesting to not only watch the show itself but walk out and have so much to talk about.

the only confusing part to this show was the addition of songs. i most definitely wouldn't call it a musical. i almost hesitate to call it a show with music. there were a handful of songs (both original as well as mash ups of popular contemporary jams...which were definitely decided on per strawdog as 'call me maybe' was not around in 2000 when this show debuted) peppered in which definitely added to the show in an interesting way...but in the end confused me as to what their role was and why mr. mee (or simply strawdog?) chose to add them in...and not make it a musical or the songs more prevalent.

standouts for me in the show were the performances by michaela as thyona...a woman who knows what she wants (and better yet: knows what she doesn't want), clad in fishnets and military boots she urges the women around her to stand strong and isn't afraid to threaten death to any man who gets in their way. she is manipulative, smart and cunning, but when she breaks...you break with her. 

her groom counterpart, constantine (played by shane kenyon) came off as a bit cheesy and overdramatic when he led the grooms on stage for the first time. he appears as a playboy who has no control over his temper & is consistently being held back by his 11 other teammates. later on in the play in an exhaustive scene with the two grooms paired with the leading females, he gets the chance to go on an exhilarating tirade of the expectations of men in the eyes of women/society. my opinion on the over-the-top-uncontrollable-unlikeable character totally shifted for me. (you know its a good sign of a good performance when dustin can sense i'm so impressed that he tells me to put my acting boner away)

the ending was sudden for me... mostly because i was left wanting more. cheers to the cast of big love and to strawdog for this show. go see it, you only have 1 more weekend.
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upcoming may shows:
saturday may 25, 7:30pm: the hypocrites' ivywild

join me, will you?

Tuesday, May 14, 2013

may #2: gentrify


friday night i had the pleasure of seeing the upright citizen brigade (east)'s GENTRIFY.

what: gentrify, a multi-act comedy show running every friday night at ucb east!
where: ucb east, east village
accompaniment: dustin & brittany (with gracious tickets from the awesome audrey)
drinkability: there's a bar! wahoo! we had wine.
show length: an hour
out of four: three/four

we just returned from a four day jaunt in the concrete jungle of new york city! i had never been before (i know, i KNOW) and dustin had only flirted with the city a bit during a couple of previous tours through there. staying with my pal brittany in hamilton heights in manhattan she showed us the city as if we lived there, avoiding the typical long lines of top-of-building sights and statue of liberty tours. instead she took us all around manhattan, through central park, to the met, here there everywhere...and friday night we ended our evening in the east village in brooklyn for some comedy.

a good friend from college, audrey, is working and studying at ucb and offered us some tickets when she found out we were coming into town. she suggested gentrify and we agreed. (thanks aud!!) we also chose front row seats...nothing better than being right up in the action, right?? i was actually incredibly surprised at how large the room is at ucb east. i've experienced many iO shows here in chicago & the room seemed double the size. either way, super simple with just a stage, some mics, and a single curtain, we were set to go.

gentrify is set up like this: they have their typical team who starts the show (according to the site this includes d'arcy carden, alden ford, kelly hudson, brandon scott jones, and justin tyler, but our cast was slightly different) with an audience warm up and a few jokes as a team. they take this opportunity to poke any fun at the audience they can (out of towners, what what!) and then to ultimately introduce their guests. we got the opportunity to see stand up comedians austin rodrigues, don fanelli & dru johnston, michelle wolf & peggy o'leary.

and then game on! each comedian gets about 10 minutes to do a set and the wonderful thing about the particular performance we saw is how different all the performers were. also: i've been with dustin for three and a half years now and i can count on one hand how many times i've seen him laugh as hard as he did that night. awesome.

between acts pairs of the team come out to comment on the last performer, make a few jokes of their own and keep the game moving forward by getting the next performers out on stage. my two highlights from the show were comedy team don fanelli & dru johnston, determined to convince the audience that billy joel is in every circumstance better than the beatles. also: the last performer of the evening michelle wolf. giant curly red hair (of my dreams!!!) she stole the show for me. you...go..girl?

anyway. then the team ends with improv from a suggestion from the audience. ours was "circuit breaker"...and the improv that followed was just about as exciting as the topic. but! alas, we loved the show and the experience and the wine (which i gave to dustin to finish. $4 margaritas at blockheads before the show made for shifty eyes in whitney).

this of course is just one of many many shows that ucb offers. i'd definitely return to see more talent in the city...and so should you.
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upcoming may shows:
friday may 17, 8pm: strawdog theatre's big love
saturday may 25, 7:30pm: the hypocrites' ivywild

join me, will you?


Wednesday, May 8, 2013

may #1: the robbers


saturday night i had the pleasure of seeing strangeloop theatre's THE ROBBERS.

what: the robbers by friedrich schiller
where: the side project theatre space in roger's park 
accompaniment: dddddustin
drinkability: you can buy soda at the ticket office. tis all. :..(
show length: 3 hrs with a 15 minutes intermission
out of four: one/four

what intrigued me most about THE ROBBERS and what ultimately got me in their seats was strangeloop's decision to make this formerly all-male (save one character) cast into an all-female cast. last year i was in an all-female production of quentin tarantino's RESERVOIR DOGS and my first month of this blog saw an all-female cast of JULIUS CAESAR. i am enchanted when companies choose to do this because right off the bat they're making a statement. and you as an audience member have the chance to figure out what exactly that statement is.

the robbers (a tale i was previously unfamiliar with) is richard iii mixed with a bit of macbeth and king lear. its the tale of one brother (francis) who decides he wants to be the top of two siblings and seeks to have his father disown him, woo his wife, and generally remove his brother (charles) from his general world. death, deception, lies and corruption unfold in this three hour (yes, three) tale. 

the set was somewhat of an interior of a home, with a couple of simple staircases, small playing spaces used as bedrooms and balconies, and the main floor space with a few twigs, branches, and an idea of a tree/woods on stage right. an unspoken/modern pre-show begins wherein we get to see all members of the cast on stage walking in and out, grabbing books and items from the set, then leaving excitedly with their cohorts. shortly after, the play begins...with no real explanation of what the preshow exactly meant or stood for in any way as all characters change clothing, lose the modern appliances (soccer balls, headphones, etc.) and appear in 'period' clothing, never to return to the outfits & props as used within the first 5 minutes of the show.

in short i think the best thing that could have been done to help this production is some cuts. its a hard argument when i hate thinking how engrossed we are in our twitter society of 140 characters (or less) and instagram gives us just a quick visual into everything we need to let you know that we're currently doing. i'm not saying cut this play in half, but an easy hour could have been shaved off of this show. the cast had an opportunity to say a lot of beautiful and complicated things that i think would have been highlighted if they were simply that: highlighted.

getting back to the aspect of an all-female cast, i was curious going in to see if pronouns would be changed to reflect the all-female cast (something i also was curious about in JULIUS CAESAR) and was disappointed when they didn't. but at the same time i admired the strength and grounding the two leads (played by margo chervony & holly robison) brought to their roles. they are manipulative, well spoken leaders who aren't afraid to do what it takes to defend themselves. they also had a hefty responsibility to carry the weight of the dialogue in the show.

the stand outs to me in this production were pat parks (seen as old moor/father dominic/pastor moser but shining in the father dominic role) & letitia guillaud (seen as amelia). both had the best command of the dialogue and most emotional connection to the words coming out of their mouths. while not prominent characters, these two shined for me.

i walked away still unsure as to why brad gunter and the folks at strangeloop made the decision to make this an all-female version of this tale. sure, the women were perceived as strong. sure, they were shown to be manipulative and sword-weilding. (libby beyreis from babes with blades choreographed an awesome short knife fight about 3/4 of the way through the show. kudos.) but while a bunch of girls can be strong, tough, manipulative, and well spoken, it often felt forced: as if these girls were pretending to be boys pretending to be men...a band together in the woods a la lost boys style. i'd urge strangeloop (and any other company for that matter) to simply let strong women be strong women. you'll get your point across, i promise you.
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upcoming may shows:
friday may 10, 10:30PM (NYC): upright citizens brigade's gentrify
friday may 17, 8pm: strawdog theatre's big love
saturday may 25, 7:30pm: the hypocrites' ivywild

join me, will you?

Thursday, May 2, 2013

may update//shameless plug

alright, one last time, the shameless plug:


richard iii is closing on friday night and its your last chance to catch me as the sad coked out lady anne. it's been a big chapter and a long run, so if you haven't had the chance to see it, get a ticket and join us at underground wonderbar on friday night! tickets available here.

i've got my may picks down. here's what i'm seeing:

saturday may 4th, 8pm: strangeloop's THE ROBBERS (discounted tickets here)
friday may 10th, 10:30pm (NYC): upright citizens bridgade's GENTRIFY (reservations here)
friday may 17th, 8pm: strawdog theatre's BIG LOVE (discounted tickets here)
saturday may 25th, 7:30pm: the hypocrites' IVYWILD (discounted tickets here)

again another month where you can see all of these shows for under $20! thats cheaper than a movie with snacks! insane. get out and see theatre in chicago and join me, will you?

Wednesday, May 1, 2013

april #4: much ado about nothing


tuesday night i had the pleasure of seeing the unrehearsed shakespeare company's MUCH ADO ABOUT NOTHING.

what: much ado about nothing by william shakespeare
where: this installation occurred at mrs. murphy & sons irish bistro, 3905 n lincoln
accompaniment: many a pal including ally, emily, megan, & krista.
drinkability: this one was in a bar! perfect.
show length: just over two hours.
out of four: two and a half/four

if you're a shakespeare fan, especially a fan of the comedies, you've most likely seen, been involved in, read, or are just generally familiar with much ado. its a tale of love, mischief, confusion, hijinx and plenty of sexual innuendos as all good comedies are!

this interpretation is different though. the concept of the company is to put on a show in the style that we believe is as close to the elizabethan style as possible: quick, quirky, and off the cuff. actors show up not knowing exactly which roles they will play and are handed scrolls before the show with their lines indicated and only a few words of the previous cue line to give them an idea of when their line is up next. they have a script supervisor who jumps on the line if there is a silence gap and who will also jump in the action if the play gets all out of whack. the only other bit of help the actors get is a general outline of entrances per scene which is taped up on the wall. in the preshow we were informed that the actors were encouraged to not read the script or try to familiarize themselves with it (minus what they as actors who probably went to college already know). then, game on.

this formula simply makes for a hell of a good time, especially on a tuesday night in a tiny room on the top floor of the bar. the actors are darting in and out of the room and in and out of the crowd. they aren't afraid to ask you questions, indicate to you as a character, poke fun, dote on, and even cheers you (see above). the emphasis on this performance isn't perfection, its about sharing the text with a room full of happy drinking people who get the chance to yell their 'yea's and 'boo's without restraint.

due to the fast paced nature of this production the text tends to be over emphasized and over acted a bit. especially with this being a comedy i understand that the actors are playing for laughs, but several times throughout the night the flailing around totally lost me as to what they were saying. but again, its about the challenge to the actors to be on their feet and interpret as they go along then it is about perfect delivery, so i can put that to the wayside.

its also a little impossible to believe some of these actors were unfamiliar with the exact script as at several moments during speeches even actors would put down their scrolls and recite from memory. either they have an incredible previous grasp on the script (sure, its possible they've played those roles before) or the actors did a little cheating beforehand.

the program for the evening boasts much ado as unrehearsed's 8th chicago performance. keep up with their website and facebook page to see when their next performances roll in. can't beat a night of friendly shakespeare for a suggested donation of $5, can you?
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it's a new month! my may decisions have yet to be made, so keep an eye out and join me, will you?

Monday, April 29, 2013

april #3: the mother


saturday evening i had the pleasure of seeing oracle theatre's THE MOTHER.

what: the mother by bertolt brecht
where: the oracle theatre's storefront space in lakeview
accompaniment: dustin, matt, & megan!
drinkability: oracle is byob & often gives out beers with their performances.
show length: just over 2 hours, no intermission.
out of four: four/four

before i get a chance to see anything else i'll say this: this show is free and amazing. go see it, then come back to your computer and read whatever i have to say about it.

i've been a long time fan of oracle theatre's work since an old castmate was in a production of BLOOD WEDDING a couple of years ago. i was enthralled by their use of their small space in addition to the fact that all of oracle's shows are free. F R E E. i usually take every opportunity i have to see a show by them and have so far in addition to blood wedding have seen WOYZECK, IRONMISTRESS, ACCIDENTAL DEATH OF AN ANARCHIST and have appeared with a couple of my castmates in their TONIGHT ITS LIVE! series. and THE MOTHER is above and beyond the best show i've seen them do.

the entire playing space is comprised of large benches with stools placed between them. before you enter the space you are urged to sit on the stools for the most action, so thats where we set up shop. when sitting, the benches are at shoulder height so you spend a lot of the play looking up at the players above you which also completely immerses you in the action.

expertly directed by max truax THE MOTHER is listed as a musical but feels more like a play with music. katherine keberlein is essentially flawless in the role of pelagea vlassova (aka the mother). pelagea gets involved in protests and movement against the working regime in russia in order to keep her son pavel out of danger. she quickly becomes deeper and deeper involved in the movement and by the end of the play is all but running it on her own. the play displays not only how far you'll go for the love of your family but also how far you might go for belief in change and the rights of the people.

dechantel kosmatka also shines in her role as the commissioner. she gets most of her stage time in the preshow as she calmly and carefully steps above your head from bench to bench removing programs, drinks, pieces of paper and even purses from causing potential obstruction for the play before it begins. soon enough cast members who have been hiding beneath your feet begin employing the audience to pass notes and paper while she isn't looking. while the pre show can feel winded and jarring after a while (specifically with the same chime music sequence happening in the background), its a fun interaction with the characters and an introduction into the oppression and rule that you are soon to see the actors fighting against.

i can't say enough about how much i loved this show. there were so few moments that took me out of the story that i've all but forgotten them. oracle theatre provides a wonderful opportunity for the people of chicago to see absolute quality work and for absolutely free. you're doing yourself a disservice if you don't make it out to see their productions, specifically the mother.

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bonus!! saturday night i also caught the 2nd installment of the monthly storytelling series by the inconvenience at theatre wit.


not only do they have the coolest advertisements around, but they put on a good show, too. with a theme for the night (saturdays was "take it to your grave"), three storytellers share tales with a musical guest who fills in between stories and during breaks. all i'll say is, its the best $6 you'll spend on a good ole time late night storytelling event, so don't miss the next installments.
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upcoming april shows: tuesday april 30, 7:30pm: unrehearsed shakespeare company's much ado about nothing

join me, will you?

Monday, April 22, 2013

april #2: dawn, quixote


sunday afternoon i had the pleasure of seeing the building stage's DAWN, QUIXOTE.

what: dawn, quixote adapted from the novel don quixote by miguel de cervantes
where: the building stage's space located in the west loop
accompaniment: my favorite date: dustin.
drinkability: cheap wine, beer, or soda for sale before show!
show length: 95 minutes, no intermission
out of four: three/four

unfortunately my first chance to see a production at the building stage will ultimately be my last. the building stage announced earlier this year that dawn, quixote would be their final show ever. this coupled with the production shots of six humans in beards and wigs with ukuleles and i knew i had to make it out or else.

the house opens about 10 minutes before the play begins. the lobby as well as the set house props and costume items that are all for sale as the building stage is closing down. the quixote's (all characters are known as this) wander around the stage, setting their props for the show, playing games, talking to audience members, etc. until showtime. this is the sort of preshow that makes me sigh and wish that they would hurry up and get to it already. if it doesn't add to the show: why do it??

once the show got underway my attitude perked up quite a bit. three females and three males play the role of don quixote and his adventures as well as his partner in crime sancho, various other characters, run the lights, run the sound, cue from scene to scene, and oh yeah, play ukuleles.

i think what i enjoyed most about this production is the ability to see that the cast was really having fun. none of them seemed to be calling it in at all. while the transitions, movement, scene shifts, etc. weren't always flawless, this ensemble required quite a bit of work and understanding of the script in order to pull it off. the dialogue clips along as they finish sentence by sentence together, at once establishing a group collective while all finding ways to display their own voice and talent in the production.

this was above and beyond the best lighting i have seen in quite a while. jared moore designed the lights for dawn, quixote and i applaud him. from hazy reds and yellows to the effective use of spotlights, it made a prop and set-light show so enhanced. and for a girl who rarely takes note of a lot of technical aspects: it says a lot.

i also thoroughly enjoyed the music bits in the show. they added an air of humor when needed and also a drone of sadness at times. all six actors with their ukuleles was a great visual as well as a unique way to tell this tale.

all in all, i'm sad to see the building stage go. their space is large and beautiful and as they showed in dawn, quixote, they have the capacity to create fabulous work. if you have the chance, catch this show, especially if you haven't seen work at the building stage previously. and then, take home a pair of shoes with you.
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upcoming april shows:
saturday april 27, 8pm: oracle theatre's the mother
tuesday april 30, 7pm: unrehearsed shakespeare company's much ado about nothing

join me, will you?

Thursday, April 18, 2013

april #1: the brig


last night i had the pleasure of seeing mary arrchie theatre company's THE BRIG.

what: the brig by kenneth h. brown
where: mary arrchie's space (known as angel island) on sheridan & broadway
accompaniment: the coolest dude around: dustin.
drinkability: byob! or do what we did & get margs down the street at el mariachi beforehand.
show length: 1 hour, no intermission.
out of four: two and a half/four

i was very excited to finally catch a show at mary arrchie. the show i'm currently in was directed by carlo lorenzo-garcia, the producing director for this production & mary arrchie in general, and a few of my castmates are also m.a. associated, so when the preview tickets showed up on goldstar super cheap i snatched 'em up.

doors open just under 10 minutes before the show starts and you immediately enter into "the brig" aka the military prison these nine men are in. the nine prisoners are sleeping in their bunks while the guards mill around as the audience sits making small talk until its time for them to waken the prisoners. the seating in the space is strange and most definitely uncommon. we got seats in an isolated cage area that was boxed in floor to ceiling by a chain link fence. shortly after the show began they closed and "locked" the gate, locking the 10 or so of us in with it. other audience members sit along the walls as well as in the center of the barracks.

the show is a display of the day in the life of these prisoners in the brig. it's a glimpse into actions that we have all seen in military tv and movies (lots of yelling, lots of "yes sir, no sir", lots of tasks like scrubbing the floors, redressing their bunks, etc.) with a hint of an extra threat as these prisoners are in the brig for a set amount of days for something they have done. but, what was it that they did? unfortunately: this question is simply never answered.

i have no doubts this is an accurate display of a marine brig, as playwright kenneth h. brown wrote this on account of his own 30 days spent in one in 1957. we watch the 9 prisoners march, run, undress, redress, undress, redress, undress, redress, get frisked, do pushups, get humiliated, be physically abused, sweat, yell, yell some more, and many other physically demanding loss-of-breath-inducing actions. simply put: the audience spends 60 minutes watching men do what their told and ask permission to correctly complete the tasks.

we only hear from one prisoner throughout the show who steps out of line and demands to be set free. he is shortly after thrown into the cage in which i was sitting. this sparked a bit of hope in me, hoping we'd see more insight into the prisoners and why exactly they ended up in the brig or any sort of real emotion from them apart from simply following the demands of their officers.

the physical aspect of this show and the total commitment by the actors is nothing short of impressive. i felt exhausted FOR them by the time the show was over. my only wish was that we got to see more into these men's lives, or even have any sort of insight as to what sort of mishap sends you to the brig. obviously that wasn't kenneth h. brown's intention but instead to simply immerse the audience in a day-in-the-life of something that most people will never get to experience.

go see this show for the physical triumphs these actors achieve, just don't expect your typical storyline. and there's nothin' wrong with that.
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upcoming april shows:
sunday april 21, 4pm: the building stage's dawn quixote
saturday april 27, 8pm: oracle theatre's the mother
tuesday april 30, 7pm: the unrehearsed shakespeare company's much ado about nothing

join me, will you?

Tuesday, April 16, 2013

april update//shameless plug!

let's get the shameless plug out of the way, why don't we?


i am playing lady anne in wayward production's RICHARD III! we added 4 shows to our original run. next weekend is our last "full weekend" with shows thursday-saturday, followed by a monday industry night and two more friday night performances. tickets are $25 through ticketweb, or grab one of our limited discount tickets on goldstar HERE. thanks.

i've finally got my picks for april down and scheduled. here's what i'm seeing:

wednesday april 17, 8pm: mary arrchie's THE BRIG (discounted tickets here)
sunday april 21, 4pm: the building stage's DAWN QUIXOTE (discounted tickets here)
tuesday april 23, 7pm: the unrehearsed shakespeare company's MUCH ADO ABOUT NOTHING
saturday april 27, 8pm: oracle theatre's THE MOTHER (free tickets here)

i'm going to new york in may and i hope i can see a show or two there to include in four in four for may. in the meantime, grab some tickets to theatre (i paid less than $20 for each show this month!!) and join me, will you?


Tuesday, April 2, 2013

march #4: the bacchae


saturday night i had the pleasure of seeing the right brain project's THE BACCHAE REVISTED.

what: the bacchae revisited originally by euripides, interpreted by rbp
where: the right brain project's rorschach space: 4001 n ravenswood
accompaniment: trusty theatre goer dustin as well as friend & castmate ally!
drinkability: tops. the actors serve you wine and about halfway through the show they refill it for you.
show length: 90 minutes, no intermission
out of four: three and a half/four

i've been attending the right brain project's work for a couple of seasons now, and wanted to audition for the bacchae when it was announced, but alas, i knew i would be in a production during the same run time. luckily, my show was dark on saturday night so it was the perfect chance to catch the bacchae and a few of my friends perform in the small space in irving park.

you enter into a dimly lit room and are immediately offered wine. kind of the best deal ever, right? all of the cast is already out on "stage", which is essentially the entire room you're in, save from the few chairs that the audience are seated on. the actors were obviously encouraged to talk with the audience as they came in and i had a pleasant conversation with an actress in front of me, as well as some greetings by fellow actors i've worked with before. the confusing part of this was the actors weren't interacting with you as characters (many introduced themselves by their real names as well as my friends casually talking to me about things outside of the show), and we aren't 'shown' that the play has started until after the actors assemble, wish each other 'good show', and then begin. i liked the soft-spoken, dim, wine-filled introduction into the show, yet why not completely immerse the audience by already being in character from the first introduction?

i wasn't familiar with the bacchae before coming into the show (which is always the best in my opinion...to go in with no expectations) and when i left i kicked myself for never being exposed to it before. its a story about women who ban together who are powerful and feared and courageous and downright badass. there's strong nudity in this show but there's also an incredibly strong sense of ensemble and kinship among the women. they have subtle smiles, constantly grazing each other's arms in support, and altogether work wonderfully as a unit. either this group of women really connected through their process or they're simply incredible actors. or both.

the men are not to be snubbed either. the smaller male ensemble spent the majority of the show in masks but with physical and combat direction from orion couling, they moved, danced, fought, and tumbled around the small space with great force. joe ramski played the one male character on the women's side and played it well. its easily the best role i've seen joe in in the last couple of years i've worked with him.

all in all, i applaud right brain for their efforts and for this all-encompassing performance. it's not perfect by any means, but they successfully created a world that you were engrossed in from the moment you stepped through the curtain.

and the wine ALWAYS helps.

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upcoming april shows:
tuesday april 23rd 7pm: the unrehearsed shakespeare company's much ado about nothing
TBD: sideshow theatre project's maria/stuart
TBD: mary arrchie's the brig
TBD

join me, will you?

Thursday, March 28, 2013

march #3: skin!


tuesday evening i had the pleasure of seeing lights out theatre company's SKIN!

what: skin! by...uhhh..?
where: the lincoln lofts in lakeview
accompaniment: babely friends tracie & brittany!
drinkability: top notch. beers, boxed wine, and cocktails for super cheap!
show length: hour and a half? i don't know, i was too busy laughing.
out of four: three/four

this was my first lights out theatre company show as well as my first visit to the lincoln loft space and both were quite a success. the lincoln loft space, if you've never been there, is this rad (see: giant!) space i heard up to nine people live, work, and perform there. you can see hints of cornered off bedrooms here and there, but once you step into the sectioned off performance space, any semblance of this being someone's apartment melts away as you make yourself comfy on the cushy vintage theatre seats.

SKIN! is the hilarious tale of a group of women working and entertaining under the watch of 'meatball', who also serves as an emcee of sorts. dressed in long johns, a huge winter fur coat and black ga-ga-esque glasses, meatball sets the scene with the attitude of this show. skin is essentially a combination of clumsy (in the best sense of the word) burlesque and sketch comedy. each of the girls has their own unique characters and there's even a bit of love drama between a couple of the girls and meatball.




what i loved about this performance was the fact that its a bunch of girls who aren't afraid to be sexy, but also aren't afraid to make fun of girls acting like they're sexy. don't go to this show expecting to see tops taken off and tossed into the crowd, instead expect a lot of lady thrusting, yells and whoops from the audience, and the special addition of chris. oh my, chris.

chris serves as their bartender and chats up the crowd as everyone comes in from the street. during the show he stands on the sidelines and sells beer from a cart and also picks up props, etc. that are used by the ladies during the show. he encourages the yelling and conversation with the performers and even makes an appearance himself. i won't spoil that for you...but...its certainly a highlight.

while i love deep, serious, moving, thoughtful theatre...sometimes you just need some boxed wine and a whole bunch of laughter to light up your tuesday night. get to this show...only a few performances left!

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upcoming march shows:
saturday the 30th 8pm: right brain project's the bacchae

a look into april....shows i'm hoping to catch:
-sideshow theatre company's maria/stuart
-mary arrchie theatre company's the brig
-TBA x2!

join me, will you?

Wednesday, March 20, 2013

march #2: julius caesar


sunday afternoon i had the pleasure of seeing babes with blades' all-female production of JULIUS CAESAR.

what: julius caesar by william shakespeare
where: the raven theatre center, edgewater
accompaniment: my trusty theatre partner dustin.
drinkability: i saw a sunday matinee so no booze for me. but i did see a snack and refreshment bar!
show length: 2 hrs, 15 minutes + 10 minute intermission
out of four: two and a half/four

after opening my own shakespeare show this past weekend what else was there to do on a sunday afternoon but go see a kick-ass group of ladies come together to present the ever-popular election year pick: julius caesar??

this was my first babes with blades production i've been able to attend, though i've taken part in a couple of workshops with them which rendered me quite sore the following days. (you know, in that good way where you get to say "MAN my hips hurt from swinging around a sword for three hours!") it was also my first trip up to the raven theatre in edgewater which has the cutest little parking lot outside, albeit filled by the time we got there due to a soldier's play opening its run at 3pm.

the set for this babes' production was rather plain, boasting only a few steps, columns, and curtains to set the stage for this historic tragedy. i anxiously awaited the text to begin to see what lengths they had taken to address or ignore the all-female cast. turns out: they ignored it. all of the players were "he" and "him" and "sir" (minus the actual female characters, of course). while i was hoping for a complete transformation of the text to females, i simply forgot about it as the play went on and accepted it as it was.

the other aspect i was most looking forward to was obviously, the sword and fight work. caesar's death scene has an exciting explosion of bodies around him, but you see no actual sword play as the women step back to show a dead caesar, displayed only by a bloody cloth draped over the body. we don't get to see more violence until shortly before the end of the play when the armies of brutus and antony finally clash. the choreographed machete fights were fun to watch, especially with multiple combatants, but i was left wishing that they were a bit tighter and with an element of danger that didn't really feel like it was there. nonetheless, it was exciting to watch and i simply left wishing i could see more!

the actresses in this production were really impressive. i was blown away by antony, played by diana coates, performing with such vocal power and poise. according to the program she's a new transplant to the city and i am sure we'll see her more. brutus, portrayed by kimberly logan (a bwb ensemble member) was also impressive in her lead role. also: the costumes...whew! kimberly g. morris kills it, specifically with the uniforms at the end. when i as an actor sit in the audience wishing i could have a chance to wear those costumes, you know something has been done right.


all in all, i'm glad i finally got to catch a babes performance and look forward to more in the future. i gave it 2 1/2 out of four because i find my mind wandering a bit...as this is a very talk-heavy, action-light production. not necessarily the babes fault, but i certainly look forward to more action heavy shows by them in the future.

**added bonus/shameless plug: if you go see their show you can get a $5 discount on RICHARD III tickets (in which i am playing lady anne) by bringing in your program to any of our productions. i love collaborations!

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upcoming march shows:
tuesday the 26th 8pm: lights out theatre company's skin!
saturday the 30th 8pm: right brain project's the bacchae


join me, will you?

Tuesday, March 5, 2013

march #1: rich & famous


friday night i saw my first show of my four in four series: jackalope theatre's RICH AND FAMOUS.

what: rich and famous by john guare
where: the den theatre, wicker park
accompaniment: my multi-talented fiance, dustin
drinkability: awesome. there's a bar in the den with affordable drinks. for him: pbr. for me: red wine.
show length: no intermission, 90 minutes (give/take)
out of four: three/four

now, simply put: i'm a big fan of the people over at jackalope. i met a good handful of them shortly after i moved to chicago in the summer of 2009 and we were in a production of baal together at the ep theatre (rip). i've been following their work from afar for the last couple of years and have recently made the decision to not miss a thing these incredibly nice and talented people do because...well, anything they put on always leaves me with just a good feeling. plus, these folks are damn good at giving hugs.

rich and famous is no exception to my enjoyment of jackalope's work. i didn't really know what i was coming in to, and i don't know quite what to qualify this production as (musical? musical comedy? comedy with music?) but either way, it was fun.

we walk in to a preshow that extends rather seamlessly into the opening of the play. pre-show performances are hard to do, and if you have one that relies on the audience its even worse! (try doing a pre show when there's only 5 people in the audience that you're supposed to interact with...for minutes and minutes on end....say it ain't so!). lucky for the r&f cast, no direct audience communication was needed...but it still didn't relieve them of the awkward tension you could feel between the actors not-really-acting while the audience isn't-really-watching. while it was a clever set up with the actors setting up all set pieces in preparation for the show, i found myself cringing for the actors needing to fill the time and look totally natural.

once the show opened all of that flew out the window. the cast of four (andrew burden swanson, baize buzan [sorry, coolest name ever? i think so.], bernard balbot [again, with the cool names, come on guys] and torian miller) had a nice chemistry and interaction with each other throughout the entirety of the show. all but swanson boasted of their 'jackalope debuts' in the programs, and will be, i expect, on the jackalope stage again in the future.

swanson stars as bing ringaling, a playwright on his verge of success (or is he?). he's charming and funny and experiences all of the emotions we humans experience in this gem. it was so fun getting to watch this challenge come alive in him.

my favorite scene in the show (also the longest. like, so long. but luckily it was my favorite, so. i got to enjoy it) was the interaction between swanson and balbot in this scene:


seriously. i don't laugh very hard at much and balbot had me in some uncontrollable giggles. dustin later described it as me "kind of losing it". yeah, i'll admit it. see this show for this scene alone.

overall, jackalope made me laugh and smile with this one. while the script itself is a little wiley and can get out of hand (see: funniest scene also feeling uncomfortably long after a while), the actors were charming and changed seamlessly between the different character challenges that they faced. go see this show for a nice night out. biggest post-show drawback? having to tip toe around between the den's other shows simultaneously happening. so remember to be quiet and hug those jackalope's goodbye.

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upcoming march shows:
sunday the 17th 3pm: babes with blade's (all female) julius caesar
tuesday the 26th 8pm: lights out theatre company's skin!
saturday the 30th 8pm: right brain project's the bacchae

join me, will you?